THE SENTINEL: WOMEN, THE DEVIL AND NEW YORK

sentinel-blog

Nitehawk’s Senior Film Programmer Caryn Coleman writes on the devil, women, and New York in The Sentinel for Shock Til You Drop. Get Tickets to our 35mm screening of The Sentinel this weekend at midnite, part of our The Works: Jeff Goldblum

Are you one of the Legion?…

The devil certainly has a thing for New York women; at least in film. Like its striking satanic predecessor Rosemary’s Baby (1968), Michael Winner’s The Sentinel (1974) is rooted within an everyday reality. This makes it intimately relatable and, therefore, appropriately terrifying. These films exploit the familiarity of our shared experiences: who hasn’t been sad, wanted a family, or had trouble with a significant other? They place the idea horror within the context of the “home” which, as a literary Gothic staple has been going since the 1800s, but cinematically it represents that postmodern shift into the urban space where your neighbors, friends and lovers are whom you should now fear the most. This is especially true if you’re a young woman and only exacerbated if you’re a young woman living in a chaotic city like New York…READ THE REST