A woman (Megan Koester) wanders around aimlessly during the apocalypse, the days all blurring into one, that is until she meets a man (Anthony Oberbeck) who might be the companion she needs to make life less mundane. But a mysterious door that appears on the side of her body brings new existential horrors that threaten to drive a wedge between the two. A film that is as quirky as it is heartfelt, there is nothing quite like LITTLE DOORS, which for all its absurdity, remains grounded in the emotional turmoil many of us deal with today.