It’s tough to be a black hero but Jack Spade takes a crack at it anyway in I’M GONNA GIT YOU SUCKA. Presented in 35mm!
To this day, my stand-up act pretty much is me. It’s my life, my experiences, my point of view — that’s what my act will always be. – Keenan Ivory Wayans
Keenan Ivory Wayans writes, directs and stars in this blaxploitation spoof. Wayans plays Jack Spade, an earnest soldier who comes back to the neighborhood (“Any Ghetto U.S.A.”) when he learns that his brother, Junebug, died from an overdose of gold chains. In order to get these deadly gold chains off the streets, Spade enlists the help of a troupe of 70s crime fighters to teach him what it takes to become a real black hero and to take down Mr. Big for good. Steeped in Wayans’s patented silliness, I’m Gonna Git You Sucka spoofs the genre with love and wit, and also shows off the comedian’s eye for spotting young talent (Chris Rock and most of the cast of In Living Color pop up in the film).
Part of Nitehawk’s summer program COMEDIANS IN FILM (Late Nite).
New York Comedian Perry Strong introduces a special COMEDIANS IN FILM screening of HARLEM NIGHTS.
Screening before the film is the short film, STICK, by Perry Strong, John Orphan, Greg Wayne.
Richard said, “The next time the motherfucker call, tell him I said, “Suck *my* dick.” I don’t give a fuck. Whatever the fuck make the people laugh, say that shit. Do the people laugh when you say what you say?” I said, “Yes.” He said, “Do you get paid?” I said, “Yes.” He said, “Well, tell Bill I said have a Coke and a smile and shut the fuck up. Jello pudding-eating motherfucker.” – Eddie Murphy
Harlem Nights is a dark comedy one-two punch with the greats, Eddie Murphy and Richard Pryor. In the waning days of Prohibition, Sugar Ray and his adopted son, Quick, run the speakeasy Sugar Ray’s Harlem nightclub in late-1930s Harlem, New York. Things are great: the drinks are strong, the women are beautiful and the money is a-flowing but a gangster is about to get in the way. When gangster Bugsy Calhoune learns that Sugar Ray’s place is pulling in more money than his own establishment, the Pitty Pat Club, he pays a corrupt cop to close Club Sugar Ray down. Quick doesn’t exactly help the situation when he falls for Calhoune’s gun moll, Miss Dominique La Rue. Eddie Murphy wrote, executive produced, and directed Harlem Nights. It’s also Red Foxx’s last film.
Don’t mind the cameras, they’re filming a movie up in here and Eddie Murphy’s the only one gonna get paid in EDDIE MURPHY: RAW. Presented in 35mm!
Now I can’t have no “curse” show, I mean I gotta throw in a few jokes in between the curses. – Eddie Murphy
Recorded at Madison Square Garden’s Felt Forum, Eddie Murphy: Raw blew up the box office, inspired a generation of comedians, and made the MPAA’s head spin with its carpet-bomb use of the f-word (223 times!). Directed by fellow comedian Robert Townsend and produced by Keenan Ivory Wayans, Raw is Murphy’s stand-up swan-song, where the comic covers his poor upbringing in Bushwick, the paranoid effect that wealth has on romance (HALF!), and the public backlash he received for telling sexist and homophobic gags.
No cheating! No gambling! No booze! No smoking! No pizza! No nothin’, just EASY MONEY.
I tell you, with my doctor, I don’t get no respect. I told him, “I’ve swallowed a bottle of sleeping pills.” He told me to have a few drinks and get some rest. – Rodney Dangerfield
An early Dangerfield gem that gets no respect at all, Easy Money was the first film to cast the comic in a leading role, this time as a wisecracking Staten Island baby photographer with a gambling problem and a taste for the ganj. Not much of a stretch. But the film allows Rodney to be Rodney, putting his comic persona to the test with a dead mother-in-law whose $10 million inheritance comes with the caveat that he must cut weight, lose the booze and act like a respectable human being for a whole year. Easy money, right?
Part of Nitehawk’s summer program COMEDIANS IN FILM (Late Nite).
Running a revenge for hire business is some DIRTY WORK!
I always told everybody the perfect joke would be where the setup and punch line were identical. – Norm MacDonald
I ain’t apologizing for anything, especially if it’s a joke. – Artie Lange
Directed by Bob Saget, co-written and starring Norm MacDonald, Dirty Work is the funniest buddy comedy about two losers opening a highly successful business specializing in revenge. Two friends, Sam and Mitch, need to find $50,000 to pay for Sam’s dad’s heart surgery fast! When they’re fired for getting revenge on their abusive theater-owner boss, they have a great money-making idea: a revenge-for-hire business. The friends are soon successful but not all their clients are good customers. When real estate developer Travis Cole tricks them into vandalizing a building that isn’t his, Sam and Mitch concoct their best revenge plan yet.
Part of Nitehawk’s summer program COMEDIANS IN FILM (Late Nite).
Andrew Dice Clay keeps it lewd and crude in front of a sold out stadium in DICE RULES. Presented in 35mm!
“[REDACTED]” – Andrew Dice Clay
Stand up comedy is frequently a not-nice affair and Andrew Dice Clay remains one of the not-nicest comedians to take the stage. Dice Rules captures the equal-opportunity offender and anti-PC crusader (that’s a stretch, but…whatever) at the height of his power: in front of a raucous and record-breaking crowd at Madison Square Garden (he was the first comic to sell out back-to-back shows at the Garden), Dice glides through a gleefully crude set that flops around our basest instincts, sending the crowd into a total tizzy.
Part of Nitehawk’s summer program COMEDIANS IN FILM (Stand Up/Stand Up Companion).
Part of COMEDIANS IN FILM, New York comedian, writer, director Negin Farsad introduces a special 35mm screening of COMEDIAN.
I think it’s funny to be delicate with subjects that are explosive. – Jerry Seinfeld
This 2002 documentary takes a look at the work of two stand-up comics, Jerry Seinfeld and a lesser-known newcomer, Orny Adams, detailing the effort and frustration behind putting together a successful act and career while living a life on the road. It proves that success doesn’t make the path as a comedian any less difficult to pave. In Comedian, both comics are in crisis, to some degree. Seinfeld wants to relaunch his standup career, and Adams wants regular gigs on the late-night TV circuit and eventually a sitcom.
Part of Nitehawk’s summer program COMEDIANS IN FILM (Women in Comedy).
Kickstarter presents BROOKLYN COMEDY FESTIVAL: SHORTS for a weekend of hilarity at Nitehawk!
The Brooklyn Comedy Festival and Kickstarter present Shorts, a weekend brunch and booze cruise through the best comedy short films of Brooklyn and beyond. Hidden behind the world of laugh tracks and blockbuster mediocrities there hums and buzzes a new class of surreal experiments in comedic cinema. The Brooklyn Comedy Festival and Kickstarter have partnered to curate and exhibit the best of them right here at Nitehawk Cinema!
SATURDAY PROGRAM
AN EXCERPT OF SNOWY BING BONGS ACROSS THE NORTH STAR COMBAT ZONE | Rachel Wolther & Alex H. Fischer | 4 minutes
TOND | Josh Ruben + Vince Peone | 20 minutes
AFFECTIONS | Bridey Elliott | 16 minutes, 8 seconds
DOOR ON THE LEFT | Kati Skelton and Harrison Atkins | 5 minutes, 27 seconds
VISITOR INFORMATION | Alan Resnick | 4 minutes, 30 seconds
GREENER GRASS | Paul Briganti | 15 minutes
LATINER | Ines Gowland | 8 minutes, 50 seconds
UNABLE ARE THE LOVED TO DIE | Adam Sacks | 11 minutes, 46 seconds
JANA & SHASTA | Tynan Delong | 9 minutes, 21 seconds
PINEAPPLE | Micah Phillips | 6 minutes, 43 seconds
I AM A TALK SHOW HOST | David Bluvband & Riley Soloner | 3 minutes
FOXMOUTH | Nate Fernald | 11 seconds
SUNDAY PROGRAM
SNOWY BING BONGS ACROSS THE NORTH STAR COMBAT ZONE | Rachel Wolther and Alex Fischer | 4 minutes
TOND | Josh + Vince | 20 minutes
AFFECTIONS | Bridey Elliott | 16 minutes, 8 seconds
DOOR ON THE LEFT | Kati Skelton and Harrison Atkins | 5 minutes, 27 seconds
VISITOR INFORMATION | Alan Resnick | 4 minutes, 30 seconds
GREENER GRASS | Paul Briganti | 15 minutes
FOR MAYA | Alex H. Fischer | 14 minutes, 52 seconds
MD MEMORIES | Matt Braunsdorf | 11 minutes, 5 seconds
THREE BUSY DEBRAS PRESENT “BRUNCH” | Sandy Honig & Jake Honig | 4 minutes, 21 seconds
SLURP | Grace Naw | 3 minutes, 39 seconds
SLURP 2 | Grace Naw | 3 minutes, 30 seconds
I AM A TALK SHOW HOST | David Bluvband & Riley Soloner | 3 minutes
FOXMOUTH | Nate Fernald | 11 seconds
For complete shorts description and images visit Kickstarter. But buy tickets here!
Double-dating proves to be more than just sex in BOOTY CALL.
Also, I think having that comic gene kind of makes you look at things in a different way. If you take yourself so seriously, eventually you end up one of those people having a ‘Do Not Disturb’ sign on their lives. – Jamie Foxx
He’s now an Academy Award Winner but between Ray and In Living Color, Jamie Foxx starred in the outrageous 1990s comedy about the sexes, Booty Call! More of a date night from hell than a traditional booty call, the film centers around two newish lovebirds Rushton and Nikki. After weeks of dating, the two are starting to fall in love and on the one night Rushton is preparing to seal the deal, she insists on a double date. Sexually frustrated, he invites his rude, sex-obsessed boy Bunz to tag along to keep her friend Lysty busy. It ends up being a hilarious disaster of a date complete with a madcap search for condoms.
Part of Nitehawk’s summer program COMEDIANS IN FILM (Late Nite).
An elegant New York socialite comes undone in San Francisco after her life falls to pieces.
This show is not about laughter. It’s about comedy. You don’t have to laugh to enjoy it. – Andrew Dice Clay
Offending people is a necessary and healthy act. Every time you say something that’s offensive to another person you just caused a discussion. You just forced them to have to think. – Louis CK
Woody Allen’s Blue Jasmine shows the dire consequences that can result when people avert their eyes from reality and the truth they don’t want to see. When Jasmine’s (brilliantly played by Cate Blanchett) marriage falls apart, she moves into her estranged sister Ginger’s modest apartment in San Francisco to try to pull her life, and her mind, back together. And while what is happening to her echoes the real-life Bernie Madoff scandal, the real problem for Jasmine is that she’s the unwitting instrument of her own downfall. One of Allen’s best.
Part of Nitehawk’s summer program COMEDIANS IN FILM (The Serious Comedian).
