Starring: Joaquin Phoenix, Pedro Pascal, Luke Grimes, Deirdre O’Connell, Micheal Ward, Amélie Hoeferle, Clifton Collins Jr., William Belleau, Austin Butler, Emma Stone
In May of 2020, a standoff between a small-town sheriff (Joaquin Phoenix) and mayor (Pedro Pascal) sparks a powder keg as neighbor is pitted against neighbor in Eddington, New Mexico.
Starring: Ben Affleck, Jon Bernthal, Cynthia Addai-Robinson, Grant Harvey, J.K. Simmons
Christian Wolff (Ben Affleck) has a talent for solving complex problems. When an old acquaintance is murdered, leaving behind a cryptic message to “find the accountant,” Wolff is compelled to solve the case. Realizing more extreme measures are necessary, Wolff recruits his estranged and highly lethal brother, Brax (Jon Bernthal), to help. In partnership with U.S. Treasury Deputy Director Marybeth Medina (Cynthia Addai-Robinson), they uncover a deadly conspiracy, becoming targets of a ruthless network of killers who will stop at nothing to keep their secrets buried.
Mike Hosty is a one-man band freak of nature who also tells jokes. The underground music legend was built on his rare ability to combine stunning musical talents on multiple instruments with a comic sensibility and improv skills to produce entertaining and original performances on the fly. His unique live shows produced a loyal following of fans from big stages to dive bars, but are just one facet of his singular talents. When Stoney LaRue turned Hosty’s song, “Oklahoma Breakdown” into a #1 hit in 2007, few knew who wrote the song or what genre it came from. They just knew they loved it. So, who is the man behind the music and those performances who has had an influence on countless bands from the 90’s on? Christopher Fitzpatrick’s documentary Oklahoma Breakdown gives us a backstage pass to Mike Hosty’s life and tells why a legend of the underground music scene has reservations on chasing the limelight, when he could be a millionaire.
In 2003, eight Rhode Islanders created a secret apartment inside a busy mall and lived there for four years, filming everything along the way. Far more than a wild prank, the secret apartment became a deeply meaningful place for all involved.
Starring: David Spade, John Goodman, Eartha Kitt, Patrick Warburton
Arrogant young Emperor Kuzco is transformed into a llama by his power-hungry advisor — the devious diva Yzma. Stranded in the jungle, Kuzco’s only chance to get back home and reclaim the high life rests with a good-hearted peasant named Pacha. Together, they must return Kuzco to the throne before Yzma tracks them down and finishes him off.
Starring: David Strathairn, George Clooney, Patricia Clarkson, Jeff Daniels, Alex Borstein, Rose Abdoo
When Senator Joseph McCarthy begins his foolhardy campaign to root out Communists in America, CBS News impresario Edward R. Murrow (David Strathairn) dedicates himself to exposing the atrocities being committed by McCarthy’s Senate investigation. Murrow is supported by a news team that includes long-time friend and producer Fred Friendly (George Clooney). The CBS team does its best to point out the senator’s lies and excesses, despite pressure from CBS’ corporate sponsors to desist.
Starring: George Clooney, Chris O’Donnell, Arnold Schwarzenegger, Uma Thurman, Alicia Silverstone, Michael Gough, Elle Macpherson, Vivica A. Fox
This superhero adventure finds Batman (George Clooney) and his partner, Robin (Chris O’Donnell), attempting to the foil the sinister schemes of a deranged set of new villains, most notably the melancholy Mr. Freeze (Arnold Schwarzenegger), who wants to make Gotham into an arctic region, and the sultry Poison Ivy (Uma Thurman), a plant-loving femme fatale. As the Dynamic Duo contends with these bad guys, a third hero, Batgirl (Alicia Silverstone), joins the ranks of the city’s crime-fighters.
Starring: Margit Carstensen, Hanna Schygulla, Irm Hermann, Eva Mattes, Gisela Fackeldey, Katrin Schaake
The 1970s began with what may be the most intoxicatingly stylized love story of the decade—if love, in this case, means obsession, control, and couture. Rainer Werner Fassbinder’s The Bitter Tears of Petra von Kant is a fever dream of desire, built on the sharp lines of emotional cruelty and the lush textures of a single, decadent room.
A successful fashion designer, Petra (Margit Carstensen), spirals into heartache when she falls hard for the enigmatic Karin (Hanna Schygulla), a young aspiring model. Their entanglement unfolds like a warped runway show—full of longing, power plays, and razor-sharp dialogue. A queer cinema classic draped in fur, chiffon, and despair, Petra von Kant remains a devastating portrait of love as performance. Let’s be clear—no one suffers in style quite like Petra.
Warning: Images are not from the movies we’re showing. Trust us, you can’t imagine what we’re showing!
Totally fabulous, but truly wrong, this early ’90s exploitation flick was rated Category III – Hong Kong’s version of “No Children Allowed!” – but not for the reasons you’d think. This bonkers action movie/cinematic couples counseling session has a little bit of nudity, a whole lot of violence, but that rating is almost entirely for its general vibe of…whut?!? All about a cop who’s rendered impotent because the bad guys have bigger, harder machine guns, which leads to his wife dumping him, he’s re-assigned to a rural outpost where he basks in simmering rage until some bad guys show up…with machine guns. Full of so much castration anxiety it needs a therapist, this high caliber humdinger redefines over-the-top action as a dream come true for children of divorced parents everywhere who always hoped mommy and daddy would get back together again…and kill.
Kevin Drew and Brendan Canning helped turn Toronto into an indie-rock mecca in the mid 2000s. Not unlike the story of Seattle’s grunge explosion: Cobain in flannel. Or the New York revival led by The Strokes. The movement they created marked the apex of Toronto’s metamorphosis from a sleepy metropolis to a beacon of hipster cool largely driven by the city’s endlessly inventive music scene. “It wasn’t so hard to be an artist around 2000 in Toronto,” says Broken Social Scene’s Jason Colette in It’s All Gonna Break, a new documentary about the band in this era. “Rent was cheap. The creativity was on fire.”
One of the band’s friends, Stephen Chung, had a camera. He wasn’t setting out to make a documentary—he was a participant, immersed in the expansive Broken Social Scene family of wildly talented artists. Before the iPhone era, Chung captured the raw, unguarded chemistry of the band: late-night jams in cramped apartments before soaring rents, the boundless creative energy of the time, and the beautiful chaos of something none of them saw coming—Lollapalooza, Letterman, film soundtracks, critical acclaim, and global success.
For years, the footage sat unseen, tucked away until the moment was right. Now, with fresh interviews from Kevin Drew, Brendan Canning, Leslie Feist, Emily Haines, and band members, It’s All Gonna Break opens the time capsule of never-before-seen footage that captures the intimacy and magic of the era. This isn’t just a retrospective—it’s a front-row seat to Broken Social Scene’s rise, their reckoning with fame, their defiance of convention, and how they came to define a generation of indie rock. Chung’s kaleidoscopic visual diary is a remarkable coming-of-age story of friends and artists forging their path, growing up together, and creating something unforgettable on their own terms.
