Skip to content

Equinox

Starring: Edward Connell, Barbara Hewitt, Frank Boers Jr., Jack Woods, with the voice of Forrest J. Ackerman

Check that date twice Deuce-denizens : this month we’re coming in late, as the chill of Winter (hopefully) thaws… The Deuce is ushering you into Spring on the EQUINOX! On the very night of the astrological event that is its namesake! But this home-made horror/fantasy hullabaloo hodge-podge of hands-on movie-making-magic, stop-motion special-effects, clay-mation monsters, and back-yard dramatics – aka The Equinox… A Journey Into The Supernatural – may just chill you to the core!

Four good-natured college kids hit the hills in search of a missing Geology prof… they also have a picnic… they also meet a park ranger named Asmodeus (?!!?) and discover a creepy castle… they also meet an ol’ coot in a cave who gives them a big-ol’ book that – uh-oh – happens to be the key that will unlock “THE OCCULT BARRIER BETWEEN GOOD AND EVIL”! – after which – having read aloud from said big-ol’ book… all kinds of craziness ensues!!

“SEE FOUR TEENAGERS FIGHT A DEVIL CULT”!


“SEE THE RING THAT ENSLAVES AND DESTROYS”! 
 
“SEE THE SYMBOL THAT DEFIES THE HOSTS OF HELL”! 
 

“SEE THE UNLEASHED POWER OF THE 1,000 YEAR OLD BOOK”! (told ya it was old!)

Who wouldn’t wanna see all those things?? And then… it’s monsters monsters everywhere as the demon Asmodeous (not really a park ranger after all) and his minions battle said good-natured picnic-loving friends over said big-ol’ book!

Originally completed in 1967, shot and edited over a period of two-plus years on weekends and school vacations under the helming of four good-natured under-21 creature-feature movie and Famous Monsters magazine fans – all of whom (Dennis Muran, Mark McGee, David Allen, Jim Danforth) would go on to take the art of special effects to unknown horizons (Google them!) – and who’s labor of love film they’d thought could mayyybe end up as late-night TV horror-show fare… Instead they find it being scooped-up by THE BLOB producer Jack H. Harris and souped-up by the Harris-hired Jack Woods, directing/shooting additional hair-raising and head-scratching shenanigans with the recast now-years-older leads – as well as giving himself the part of not-really-a-park-ranger Asmodeous! The result being a longer film with a shorter title… one that retains the youthful filmmakers’ fantastical (and fantastic!) monster-loving fanaticism, creative ingenuity, and home-movie sappiness and wroughts it large on the big screen… Where like-minded weirdos as such at Time Square’s Empire Theatre – not to mention all the nimrods in hot-rods who honked it up when it played drive-ins all across the South (except we did just mention it) – could marvel in its particularly puzzling mind-bending weirdness!!

And… as an extra special bonus side-trip for this trippy feature – The Deuce will be visiting with those movie-mavens of The Mahoning Drive-In for some off-Deuce discussion and fun!

All We Imagine as Light

Starring: Kani Kusruti, Divya Prabha, Chhaya Kadam

The light, the lives, and the textures of contemporary, working-class Mumbai are explored and celebrated by writer/director Payal Kapadia, who won the Grand Prize at this year’s Cannes Film Festival for her revelatory fiction feature debut.

Centering on two roommates who also work together in a city hospital–head nurse Prabha (Kani Kusruti) and recent hire Anu (Divya Prabha)–plus their coworker, cook Parvaty (Chhaya Kadam), Kapadia’s film alights on moments of connection and heartache, hope and disappointment. Prabha, her husband from an arranged marriage living in faraway Germany, is courted by a doctor at her hospital; Anu carries on a romance with a Muslim man, which she must keep a secret from her strict Hindu family; Parvaty finds herself dealing with a sudden eviction from her apartment.

Kapadia captures the bustle of the metropolis and the open-air tranquility of a seaside village with equal radiance, articulated by her superb actresses and by the camera with a lyrical naturalism that occasionally drifts into dreamlike incandescence. All We Imagine as Light is a soulful study of the transformative power of friendship and sisterhood, in all its complexities and richness.

Tlamess

Starring: Abdullah Miniawy, Souhir Ben Amara, Khaled Ben Aissa

S is a young soldier in the Tunisian desert. When his mother dies, he gets a week’s leave and goes back home. But he never returns to the barracks and becomes the target of a manhunt through the backstreets of his working-class neighborhood, before vanishing into the mountains. Several years later, F, a young woman married to a rich businessman finds out that she’s pregnant. One morning, she leaves her luxurious villa and disappears into the forest.

Magic Bluebird/Forbidden Rebels

A night of psychedelic graffiti featuring the trippy short films of tape delay, and a screening of the lesser known classic forbidden rebels. With a conversation to follow with Mike Delmar and style master Sharp & Bob Harris via Zoom. Hosted by Sacha Jenkins.

Magic Bluebird (2024)
35 min
A journey back into the shadowy heart of early 70’s New York City, pure 70’s madness from the depths of Fear City. Through a hallucinatory blend of raw archival footage and vibrant animation, the viewer is pulled into a kaleidoscopic descent where gangs rule the night, neon signs flicker on the streets, and reality blurs into a fever dream of subway writing, music, and surreal visions.

Forbidden Rebels (1983)
29 min
by Rii Kanzaki with Bob Harris 1983
A lyric, impressionistic portrait of five New York City graffiti artist/writers in 1983. Filmed in the subways, streets and parks of New York, G-Man, Delta II, Sharp, Spin, and DEZ tell stories of their lives as young Black men, about their creative community, about style, about gaining respect, getting up, about survival, and about their aspirations and their dreams. Imagery combines documentary street realism with Image-Processed video’s painterly analog of a Krylon color spray. Video image processing by Rii Kanzaki at the Experimental Television Center/Owego, NY.

Carmen Jones

Starring: Dorothy Dandridge, Harry Belafonte, Pearl Bailey

The tale of the cigarette-maker Carmen and the Spanish cavalry soldier Don Jose is translated into a modern-day story of a parachute factory worker and a stalwart GI named Joe who is about to go to flying school. Conflict arises when a prize-ring champ captures the heart of Carmen after she has seduced Joe and caused him to go AWOL. Carmen remains a flamboyant flirt and ends up being strangled by the soldier.

Dont Look Back

In 1965, the iconic troubadour Bob Dylan toured the United Kingdom at the age of 23, and director D.A. Pennebaker was allowed behind the scenes to provide one of the most intimate glimpses of the private and frequently cantankerous songwriter. The film chronicles Dylan’s concert appearances, hotel room conversations, and transportation downtime, pulling back the curtain on the folk messiah at the end of his relationship with Joan Baez and on the cusp of his creative shift toward rock music.

Heartland of Darkness

Starring: Linnea Quigley, Dino Tripodis, Nick Baldasare, Shanna Thomas

In the small town of Copperton, Ohio, Paul Henson, a former big-city journalist, buys a small local newspaper. He quickly falls into a wide-reaching conspiracy of ritualistic murder and cult mind control when he discovers that the entire town may be under the spell of a Satanic reverend and his flock. As the clues and corpses pile up, Henson and his family are thrust into a life-or-death struggle to expose the truth and stop the demonic cabal’s reign of evil.

This never-before-seen “Satanic Panic” opus from the late 1980s is often cited as the ‘lost’ Linnea Quigley movie and boasts several impressive feats as a low budget regional feature, including gruesome effects, kinetic action set pieces, effective score and a memorable lineup of eccentric Midwest characters. Heartland of Darkness (sometimes also referred to as Blood Church) was shot in 1989 by director Eric Swelstad on 16mm but had been lost in obscurity and distribution false starts for over 30 years.

Despiser

Starring: Mark Redfield, Gage Sheridan, Doug Brown, Frank Smith, Mark Hyde

After losing his job and his wife, Gordon crashes his car and lands in Purgatory, where he’s attacked by fanatics and enslaved souls. He’s soon saved by a quirky band of freedom fighters from different historical eras, all of whom died in noble sacrifice. Reluctantly joining their cause, Gordon embarks on a wild adventure through surreal, hellish landscapes to battle the Despiser, the malevolent ruler of the realm. Facing shifting realities, monstrous creatures, and intense car chases over lava oceans, their journey leads to the ultimate showdown to save all of humanity.

Philip Cook’s eccentric, non-stop menagerie of machine gun battles, early CGI masterwork and endless array of monsters makes it one of the most unique direct to video features of the VHS and early DVD era. Cook painstakingly crafts a green screen netherworld steeped in brutal violence, religious mythology and action movie tropes, all filtered through a dream-like, hallucinogenic lens that never once takes its foot off the gas and manages to outdo itself at every turn.

The Graduates

Starring: Mina Sundwall, Alex Hibbert, Yasmeen Fletcher, Ewan Manley, John Cho, Maria Dizzia, Kelly O’Sullivan

A powerful and sharply introspective coming-of-age drama, The Graduates follows a young woman, Genevieve (Mina Sundwall), as she prepares to graduate high school after a tragic event. As she navigates an uncertain future alongside a community searching for ways to heal, they turn to each other to find hope and a way forward. A Future of Film is Female release.

before The Graduates, we’ll be screening Celine Sutter’s short Eli, Briefly
ELI, BRIEFLY
Directed by Celine Sutter, 2023 (14 minutes)
Newly successful actor Eli loses their keys after blacking out at a party. Told in an invasive structure, Eli must reckon with their messy night to get a spare set.

Ovid, New York

Starring: Emil Daubon, Tina Makharadze, Robert M. Johanson, b, Lindsay Rico, Junshin Soga, April Matthis, Max Weinbach, Nicky Weinbach

Seven tales of transformation poetically reimagine Ovid’s Metamorphoses and paint a picture of violence and catharsis, anchored in mythical landscapes.

The film’s stories range in tone from crimson surreal to the darkest of comedy, playfully shifting moods, genres, and seasons without losing sight of its overarching mythology. It follows a lone bounty hunter prowling across snow covered mountains, a famous actress out for revenge, statuary lovers peeping leaves, a distraught demigod waxing poetic, an entomologist meeting her match in a mantis, a vacuum salesman haunted by his motel room, and twin ferrymen guarding the underworld by demanding exact change.