On November 19, come sink your teeth into this tasty New York City time-capsule treat with THE DEUCE ding-dongs: James Toback’s meaty mastication of macho-masochism FINGERS – as it played on ol’ 42nd Street at The Selwyn Theatre in April of 1978!
Plus: Prizes and surprises, Bronx Brewery Pale Ale at the after-party, and music by Maestro Jeff! Hosted and presented by THE DEUCE JOCKEYS: Jeff, Andy, and Joe!
Harvey Keitel’s wannabe concert pianist turned thug-for-the-mob gets the hots for taciturn sculptress Tisa Farrow – but her super-stud “boyfriend” Jim Brown might have something – or possibly nothing – to say about it… Perverse, petulant, personal – and at times painfully penetrating – a pointed portrait of the preposterousness of the masculine myth… crawling through the nooks and crannies of a city as fractured as its protagonist’s psyche — to a tune filled track of Bach, Bebop, and Girl Group Rock ‘n’ Roll – it’ll get its FINGERS in you!
All DEUCE screenings are 35mm presentations.
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Deuce Jockeys: Jeff, Joe, Andy, Max, Andrew
Complimentary drinks at the after-party courtesy of Bronx Brewery.
Are you now or have you ever been…
In 1947, Dalton Trumbo (Bryan Cranston) was Hollywood’s top screenwriter until he and other artists were jailed and blacklisted for their political beliefs. TRUMBO (directed by Jay Roach) recounts how Dalton used words and wit to win two Academy Awards and expose the absurdity and injustice under the blacklist, which entangled everyone from gossip columnist Hedda Hopper (Helen Mirren) to John Wayne, Kirk Douglas and Otto Preminger.
All bets are ON this holiday as Nitehawk Cinema and Victory Brewing Company team up for a special holiday Film Feast presentation of TRADING PLACES!
What happens when you combine the comic genius of Eddie Murphy with Dan Aykroyd and director John Landis? You get a timeless comedy classic laced with sidesplitting, satiric humor. Murphy stars as a small-time con artist who gets a chance to switch lives with Aykroyd’s big-time stock market maven. But their reversal of fortunes is just a cruel joke perpetrated by two bored mega-rich brothers as part of an idle bet. When the truth comes out…the consequences are sheer comedy gold!
Our five course menu paired with beer from Victory Brewing Company will surely put you into the holiday spirit (if you know what we mean). As always, the best part is that each dish will be served at the moment its inspirational scene comes on the screen!
MENU
“Pork Bellies. I knew it, I knew it!”
crispy braised pork belly, green lentils, saffron honey
Beer Pairing: Victory Prima Pils (German Style Pilsner)
“Dinner With Daphne”
brown butter crepes, poached lobster, orange segments, Gran Marnier mascarpone
Beer Pairing: Victory Winter Cheers (Wheat Ale)
“Commodities”
coffee infused pumpernickel, slab bacon, butter lettuce, tomato, avocado mayo
Beer Pairing: Victory Vital IPA
“Smoked Salmon Santa Beard”
hickory smoked salmon filet, pomme allumette, roasted brussels sprouts, peppadew coulis
Beer Pairing: Victory Golden Monkey (Belgian Style Trippel)
“Gorilla Lovin'”
banana custard, pretzel pieces, Nutella chocolate ganache
Beer Pairing: Victory Storm King Stout (Imperial Stout)

Menu items subject to change, no substitutions.
Starring: Arnold Schwarzenegger, Maria Conchita Alonso, Yaphet Kotto, Jim Brown, Jesse Ventura, Erland van Lidth
The future’s not so bright in The Running Man. Set in a dystopian American circa 2019, Arnold Schwarzenegger stars as a wrongly convicted cop in this science fiction action film. Accused of killing rioters, Ben Richards is sent to jail but escapes only to find himself on the popular television show called, you guessed, it “The Running Man.” In order to regain his freedom, he must battle a bunch of professional killers on this brutal execution slash game-show. In order to prove his innocence, he has to tap into government computers to prove the guilt of the regime who’s trying to frame him.
A cop hunts down rogue replicants in the futuristic detective thriller BLADE RUNNER (Final Cut).
Like tears in the rain, the visibility of replicants amongst humans in Ridley Scott’s Blade Runner future aren’t so clearly discernible. Blade Runner is set in a dystopic 2019 Los Angeles where the rain constantly pours over a dirty, crowded, neon city full of mystery. A retired “Blade Runner” cop named Deckard is brought back into the force to eliminate four replicants who have stolen a spaceship and left their work colony to illegally return to Earth. His quest leaves him with more questions than answers. Blade Runner is a science fiction classic that questions what it means to be human through a depiction of a technologically-dependent and class culture that doesn’t look so different than our current times.
Part of Nitehawk’s November SCI-FIGHTERS midnite series.
Starring: Sigourney Weaver, Tom Skerritt, John Hurt, Veronica Cartwright, Harry Dean Stanton, Ian Holm, Yaphet Kotto
Slow, pulsating, and terrifying, Ridley Scott’s Alien is the pinnacle science fiction film. It features the crew of the commercial starship Nostromo who are woken up from their cyro-sleep to answer a distress call from an alien vessel. When a couple crew members come back from investigating, they bring with them an alien life form with extraordinary adaptability. Within their close quarters, the crew battles against the mother of all aliens but who will survive? Featuring the iconic creature and environmental design by H.R. Gieger and Sigourney Weaver in the role that would define women in action film, Alien is the ultimate fight in space.
Starring: Roddy Piper, Keith David, Meg Foster, Peter Jason, Sly Richardson, George “Buck” Flower
Subliminal messaging, consumerism, and alienness make up John Carpenter’s iconic vision of Los Angeles in They Live. Nada (Roddy Piper, RIP) is an out of work construction worker who accidentally discovers a pair of sunglasses that allow him to see much of humanity’s true identity…and it’s not of this world. Reminiscent of George Orwell’s 1984, there is a plot to keep the human race in line but it doesn’t come from Big Brother government but, instead, from alien invaders. Carpenter takes Los Angeles’ reputation for loving beautiful facades and turns it into something poignant. This is your God.
Take a tour of Los Angeles’ seedy side in John Cassavetes’s THE KILLING OF A CHINESE BOOKIE. A 35mm presentation!
Los Angeles always feels personal when John Cassavetes sets it as the background for his films. In his stylistic noir vision, The Killing of a Chinese Bookie, the city becomes a landscape where morals and masculine identity are tested after the unhealthy appetite of gentleman’s club owner, Cosmo Vitelli (Ben Gazzara), puts him in an impossible situation. Having to answer to his angry loan sharks, he must choose how far he’ll go in order to appease the gangsters. Cassavetes gives L.A. a surreal and gritty atmosphere here; it’s a city you certainly don’t want to mess with.
Part of Nitehawk’s November L.A. STRANGE brunch series.
Starring: Jack Nicholson, Faye Dunaway, John Huston
Roman Polanski takes the real life California Water Wars as inspiration in his neo-noir masterpiece, Chinatown. At the center of it is Los Angeles, a city that originated as a desert therefore being a place where he who controla the water, controls the town. It’s precisely this ring of corruption that private investigator Jack Gittes (Jack Nicholson) uncovers when he’s on a not-so-typical adulterer case for a beautiful young wife named Evelyn Mulwray (Faye Dunaway). Polanski excels at making a familiar city like Los Angeles strange; in Chinatown it becomes extraordinarily mysterious and the site of very unexpected happenings.
Nitehawk presents two midnite screenings of the documentary, FINDERS KEEPERS.
When his amputated leg is discovered in a grill sold at a North Carolina auction, John Wood finds himself at the center of a worldwide media frenzy. Believing the new-found attention to be his chance at doing some great things in an otherwise disappointing, wayward life, he’s quickly swept up in the hysteria as the leg’s enterprising buyer, Shannon Whisnant, then sues to regain its custody. But the stranger-than-fiction chain of events, fueling John’s drug addiction and compounded by generations of his familial dysfunction, soon sets John on the streets and heading to his certain demise. Just in time, however, another twist in these fantastical occurrences gives John a final shot at becoming whole for the first time in his life.