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Bonnie and Clyde

Starring: Warren Beatty, Faye Dunaway, Michael J. Pollard, Gene Hackman, Estelle Parsons, Denver Pyle

Meet Bonnie and Clyde, two young lovers who just happen to be criminals in a roving gang that will kill anyone who gets in their way! Based on the true life story of Clyde Barrow and Bonnie Parker’s violent bank robbing spree in the early 1930’s, Arthur Penn’s Bonnie and Clyde is a more romanticized account of the string of robberies and subsequent newspaper headlines following these two archetypal lovers to their bitter end. With its trendsetting fashions, dangerously gorgeous stars and ample mix of sex and violence, the film is regarded as one of the first in the New Hollywood era and an enduring classic.

Mood Indigo

MOOD INDIGO is Michel Gondry’s love story about a woman suffering from an unusual illness caused by a flower growing in her lungs.

The surreal and poetic tale of Colin, an idealistic and inventive young man and Chloé, a young woman who seems like the physical embodiment of the eponymous Duke Ellington tune. Their idyllic marriage is turned on its head when Chloé falls sick with a water lily growing in her lung. To pay for her medical bills in this fantasy version of Paris, Colin must go out to work in a series of increasingly absurd jobs, while around them, their apartment disintegrates and their friends, including the talented Nicolas, and Chick – a huge fan of the philosopher Jean-Sol Partre – go to pieces.

Boyhood

Richard Linklater’s acclaimed film BOYHOOD!

Filmed over twelve years with the same cast, Richard Linklater’s Boyhood is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Eli Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason’s parents and newcomer Lorelei Linklater as his sister Samantha, Boyhood charts the rocky terrain of childhood like no other film has before. Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay’s Yellow to Arcade Fire’s Deep BlueBoyhood is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. 

 

HEAVENLY CREATURES With DYKETACTICS

Northside Film screens HEAVENLY CREATURES with the short DYKETACTICS, presented by Queer/Art/Film and curated by JD Samson.

HEAVENLY CREATURES
Q&A with JD Samson
Two girls have an intense fantasy life; their parents, concerned the fantasy is too intense, separate them, and the girls take revenge.

NS14_FilmPOSTER_dyketacticsDYKETACTICS
Introduction by Adam Baran for Dyketactics (4 mins)
Directed by and starring: Barbara Hammer 

Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four­minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic. Abdellatif Kechiche, director of last year’s sexually sensationalist Blue Is the Warmest Colour, might have done better if he had taken a leaf out of Hammer’s book. Hammer calls the film her ‘lesbian commercial’. 

Holy Mountain

Part of Nitehawk’s SUMMER OF SURREALISM program, LIVE SOUND CINEMA presents Alejandro Jodorowsky’s HOLY MOUNTAIN with a live score by REEL ORCHESTRETTE.

Embodying the sex, drugs, spiritual awakenings and societal unrest of the late 1960s/early 1970S, Jodorowsky’s Mexican-American film Holy Mountain (La Montaña Sagrada) is a suitably bizarre and exquisitely designed trip. The quasi narrative tells of a Christ-like vagrant and six of the world’s most powerful individuals (each representing a planet in the Solar system) for a spiritual pilgrimage through a perverse and unfriendly land. The mission is to find the Holy Mountain and immortality. The film’s symbolic figures and gestures – ranging from birds flying out of bullet holes to reptiles re-enacting the Mexican conquest – make this surreal film one that existed completely outside of traditional filmmaking of the time.

Reel Orchestrette (Bradford Reed & Geoff Gersh) is dedicated to the art of live musical accompaniment to silent films. Reed & Gersh have been collaborating together for almost 20 years, they formed Reel Orchestrette in 2012. 

Part of Nitehawk’s upcoming SUMMER OF SURREALISM program. Featuring Absolut Vodka Cocktails.

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The Slumber Party Massacre

Starring: Michelle Michaels, Robin Stille, Michael Vilella

The only female directed slasher of the 1980s, The Slumber Party Massacre was written by famous feminists Rita Mae Brown, and intended as a sleazy parody of an already sleazy genre. Director Amy Holden Jones thought otherwise, flipping Brown’s cheeky script into straight horror.

The result is a self-aware slasher eager to drill some fresh holes in the genre, all while still delivering on that good ol’ teenage sex and violence. The story is appropriately ridiculous, about a girls’ basketball team hosting a slumber party that’s stalked by an escaped lunatic – and it isn’t long before the long showers, clothes changing and sexy phone calls give way to an ever mounting pile of mangled bodies.

The Green Berets

John Wayne stars as a tough colonel who leads a squad of Green Berets and a liberal war correspondent on a dangerous mission to capture a Viet Cong general. A 35mm presentation and introduction by Andrew Kirell, Editor-in-Chief, Mediaite.

Loosely based on the novel of the same name by Robin Moore, The Green Berets is an anti-communist and pro-Saigon film produced at the height of America’s involvement in the Vietnam War. It shows the conflicts and complications of warfare as cynical war correspondent George Beckworth, who works for a liberal newspaper, becomes complicent in the violence towards the Viet Cong. He joins tough-as-nails Col. Mike Kirby (John Wayne) on a special mission in South Vietnam and while he initially protests the U.S. torturous interrogation strategies, he transforms into a gung-ho fighter after witnessing the Viet Cong atrocities. In its heightened cinematic way, The Green Berets gives a voice to the stories that, at the time, people were only witnesses through media produced newsreels.

Part of the Journalists in Film series by VICE News and Nitehawk Cinema.

Network

Starring: Faye Dunaway, Peter Finch, William Holden, Robert Duvall, Beatrice Straight, Wesley Addy, Ned Beatty

I’m mad as hell and I’m not going to take this anymore! Fired after twenty-five years as an anchorman on UBS, Howard Beale proclaims on his last broadcast that he was going to commit suicide and, although he doesn’t, his on-air rant of self destruction becomes an unexpected ratings sensation. Fueled by the ambitious programming executive Diana Christensen, the focus of the network takes on a new trashy but lucrative turn that is to the disappointment of the news division president Max Schumacher (Beale’s longtime friend and Christensen’s occasional lover). Forty years after release, Sidney Lumet’s satirical film about the exploitative nature of trash news television is more relevant than ever.

Medium Cool

VICE News and Nitehawk’s Journalists in Film series launches with Haskell Wexler’s MEDIUM COOL, a film about a television news reporter who becomes involved with the political power of imagery during the violence of the late 1960s.

Special recorded introduction by Robert Forster and in-person introduction by Jason Mojica, Editor in Chief of VICE News.

It’s 1968, and the whole world is watching. With the U.S. in social upheaval, famed cinematographer Haskell Wexler decided to make a film about what the hell was going on. Medium Cool, his debut feature, plunges us into the moment. With its mix of fictional storytelling and documentary technique, this depiction of the working world and romantic life of a television cameraman (Robert Forster) is a visceral cinematic snapshot of the era, climaxing with an extended sequence shot right in the middle of the riots surrounding the Democratic National Convention in Chicago. An inventive commentary on the pleasures and dangers of wielding a camera, Medium Cool is as prescient a political film as Hollywood has ever produced. – Criterion

Part of the Journalists in Film series by VICE News and Nitehawk Cinema.

Spoons, Toons & Booze Gone Wild (May)

SecretFormula presents…

Spoons, Toons & Booze Gone Wild

Your Favorite Saturday Morning Cartoons + Booze & Free Cereal + a Special Menu of Cartoons Featuring the Sexiest & Most Scantily Clad Toons on TV!

Do you miss your childhood Saturday mornings of waking up early to gorge on cereal and cartoons? If so, Secret Formula has the ultimate brunch for the kid in you…Spoons, Toons & Booze! We’ve got all your favorite Saturday morning cartoons, delicious cocktails and a free all you can eat sugar cereal bar, not to mention Nitehawk Cinema’s delicious brunch menu.

Before the FCC ruined everything, cartoons got away with some pretty sexy stuff on television. This month, we’re screening episodes featuring sexy babes and beefcakes, beach bodies, scantily clad toons and even more sexiness that was almost too hot for TV! If you’re turned on by anthropomorphic mice in tight jumpsuits, this is the show for you. 

– Over 80 cartoon series from the 1930?s through the 90?s and YOU get to choose what we watch!

– A special menu of episodes featuring the sexiest and most scantily clad toons on Saturday morning!

– A free all you can eat cereal bar filled with all the sugary, marshmallowy, fruity, chocolaty cereal you crave! Soy and regular milk available. 

– Special cereal-themed cocktail menu including “The Sonny”, a White Russian topped with Cocoa Puffs, and the “The Complete Breakfast” with Cinnamon Toast Crunch-infused rum, Bailey’s Irish Cream and iced coffee!

– Cereal Shots! Drop a shot of Baileys or Kahlua in to booze up your cereal bowl!

– Compete in contests to choose which cartoons we watch and win sweet prizes from Nitehawk Cinema!