Starring: Peter Weller, Ellen Barkin, John Lithgow, Carl Lumbly, Christopher Lloyd, Lewis Smith, Vincent Schiavelli, Jeff Goldblum
Dr. Buckaroo Banzai is a real renaissance man: a physicist, neurosurgeon, test pilot, and even a rock musician. Is there anything he can’t do?! Well, when it comes to saving the world from the band of inter-dimensional aliens the Red Lectroids, he and his crew The Hong Kong Cavaliers are really put to the test. Buckaroo Banzai (aka The Adventures of Buckaroo Banzai Across the 8th Dimension) is brilliantly adventurous and unique film that spans so many genres and has a rather complicated backstory that involves a secret device called an “oscillation overthruster,” traveling to other dimensions, alien hitchhikers, and a madman scientist. A must see!
Produced by Roger Corman and based on Lovecraft’s short story of the same name, the psychedelic DUNWICH HORROR visits the fictional Miskatonic University in Arkham, Massachusetts where a hidden evil resides.
Dr. Henry Armitage, an expert in the occult, goes to the old Whateley manor in Dunwich looking for Nancy Wagner, a student who went missing the previous night. He and Elizabeth, a friend and classmate of Nancy’s, are turned away by Wilbur, the family’s insidious heir, who has plans for the young girl. But Armitage won’t be deterred. Through conversations with the locals, he soon unearths the Whateleys’ darkest secret — as well as a great evil.
Roger Corman’s THE HAUNTED PALACE was marketed as “Edgar Allan Poe’s The Haunted Palace” but is actually derived from the plot of H.P. Lovecraft’s “The Case of Charles Dexter Ward.” It stars Vincent Price, as it should.
Condemned warlock Joseph Curwen curses a New England village just before being burned alive. All of them witches! More than a century later, Curwen’s kindly great-great grandson Charles Ward arrives in town and moves into Curwen’s old mansion. Caretaker Simon Orne helps Charles and his wife Ann adjust to their new home but the ancient curse, however, soon takes hold of Joseph, awakening inside him a long-dormant evil passed on through blood.
Starring: Jeffrey Combs, Barbara Crampton, Ted Sorel, Ken Foree
Co-presented by Brooklyn Horror Society.
Obsessive scientist Dr. Pretorius (Bride of Frankenstein reference alert) successfully discovers a way to access a parallel universe of pleasure by tapping into the brain’s pineal gland. When he is seemingly killed by forces from this other dimension, his assistant, Dr. Crawford Tillinghast, is accused of the murder. After psychiatrist Katherine McMichaels and detective Bubba Brownlee take the case, the trio risks a return to the other world in order to solve the mystery.
A portion of proceeds from ticket sales will be donated to the Heidi Paoli Fund.
Brooklyn Horror Society is a community created to celebrate all things horror. With events ranging from classic movie screenings to horror trivia to screenings for local indie directors, we’ve got something for the diehard gore hounds, the nervous horror-curious, and everyone in between.
The sun died Danny Boyle style in 2007 in the mesmerizing Sunshine.
Fifty years from now, the sun is dying, and mankind is dying with it. Our last hope: a spaceship and a crew of eight men and women. They carry a device which will breathe new life into the star. But deep into their voyage, out of radio contact with Earth, their mission is starting to unravel.
Family man Sam Phillips has been missing for three years when he suddenly returns home to his son, Tony, and wife, Rachel. Though Tony has clung to the hopes of his father’s return, his mother has moved on and is involved with another man. Rachel still has a place in her heart for her husband, but the love triangle is rudely interrupted when it becomes apparent that Sam’s disappearance was the result of an alien abduction, and he’s no longer human.
The quaint town contains a sinister truth for women in THE STEPFORD WIVES.
The second wave of feminism certainly didn’t make landfall on the town of Stepford, CT. When Joanna Eberhart moves with her husband and two young children from New York City to the quiet town, she finds the women there are too “perfect” – vapid, obsessed with housework and tending to their husband’s every need. Along with her new friend Bobby, she sets up to uncover the terrifyingly unbelievable truth.
The first film version of Ira Levin’s novel, The Stepford Wives, was moderate success when released in the mid-1970s but throughout the decades its popularity has reached cult status. Perhaps it’s because the story of forced sublimation of women back into traditional gender roles continues to horrify each new generation of film goers.
