Starring: Samuel L. Jackson, John Travolta, Uma Thurman, Bruce Willis, Tim Roth, Amanda Plummer, Ving Rhames, Harvey Keitel
The ultimate post-modern film! Weaving together separate yet interrelated tales of violence, revenge and affection, Tarantino’s seminal Pulp Fiction broke all the rules to become one of the most memorable movies of the 20th century. The film’s intelligent dialogue, non-linear storytelling, pop-cultural meta-ness, and stylized violence captivated audiences in desperate need of something fresh. Today, Pulp Fiction delivers smart entertainment that stands the test of time with its now iconic introspective hitman, washed up boxer, and a mobster’s wife. All these years later though, we still don’t know what’s in that damn briefcase.
Starring: Kevin Costner, Susan Sarandon, Tim Robbins, Trey Wilson, Robert Wuhl, Jenny Robertson
Former minor leaguer Ron Shelton hit a grand slam with his directorial debut, one of the most revered sports movies of all time. Durham Bulls devotee Annie Savoy (Susan Sarandon)—who every year takes a new player under her wing (and into her bed)—has singled out the loose-cannon pitching prospect Nuke LaLoosh (Tim Robbins), a big-league talent with a rock-bottom maturity level. But she’s unable to shake Crash Davis (Kevin Costner), the veteran catcher brought in to give Nuke some on-the-field seasoning. A breakthrough film for all three of its stars and an Oscar nominee for Shelton’s highly quotable screenplay, Bull Durham is a freewheeling hymn to wisdom, experience, and America’s pastime, tipping its cap to all those who grind it out for love of the game.
Starring: Brinsley Forde, Karl Howman, Trevor Laird, Brian Bovell, Victor Romero Evans, Archie Pool
Never-before released in North America, Franco Rosso’s incendiary Babylon had its world premiere at Cannes in 1980 but was banned that same year for “being too controversial, and likely to incite racial tension” (Vivien Goldman, Time Out). Raw and smoldering, it follows a young dancehall DJ (Brinsley Forde, frontman of landmark British reggae group Aswad) in South London as he pursues his musical ambitions, battling fiercely against the racism and xenophobia of employers, neighbors, police, and the National Front. Written by Martin Stellman (Quadrophenia) and shot by two-time Oscar winner Chris Menges (The Killing Fields) with beautifully smoky cinematography that has been compared to Taxi Driver, Babylon is fearless and unsentimental, yet tempered by the hazy bliss of the dancehall set to a blistering reggae and lovers rock soundtrack featuring Aswad, Johnny Clarke, Dennis Bovell and more.
Starring: Haley Lu Richardson, Cole Sprouse, Moises Arias, Kimberly Hebert Gregory, Parminder Nagra, Claire Forlani
Stella Grant (Haley Lu Richardson) is every bit a seventeen-year-old… she’s attached to her laptop and loves her best friends. But unlike most teenagers, she spends much of her time living in a hospital as a cystic fibrosis patient. Her life is full of routines, boundaries and self-control — all of which is put to the test when she meets an impossibly charming fellow CF patient named Will Newman (Cole Sprouse). There’s an instant flirtation, though restrictions dictate that they must maintain a safe distance between them. As their connection intensifies, so does the temptation to throw the rules out the window and embrace that attraction. Further complicating matters is Will’s potentially dangerous rebellion against his ongoing medical treatment. Stella gradually inspires Will to live life to the fullest, but can she ultimately save the person she loves when even a single touch is off limits?
Starring: Ryûnosuke Kamiki, Nanami Sakuraba, Mitsuki Tanimura
Kenji is a teenage math prodigy recruited by his secret crush Natsuki for the ultimate summer job – passing himself off as Natsuki’s boyfriend for four days during her grandmother’s 90th birthday celebration. But when Kenji solves a 2,056 digit math riddle sent to his cell phone, he unwittingly breaches the security barricade protecting Oz, a globe-spanning virtual world where millions of people and governments interact through their avatars, handling everything from online shopping and traffic control to national defense and nuclear launch codes. Now a malicious AI program called the Love Machine is hijacking Oz accounts, growing exponentially more powerful and sowing chaos and destruction in its wake.

Starring: Kana Kita, Yû Aoi, Miki Fukui
Budding genius Aoyama is only in the 4th grade, but already lives his life like a scientist. When penguins start appearing in his sleepy suburb hundreds of miles from the sea, Aoyama vows to solve the mystery. When he finds the source of the penguins is a woman from his dentist’s office, they team up for an unforgettable summer adventure!

Starring: Yasuo Yamada, Eiko Masuyama, Kiyoshi Kobayashi
The directorial debut of Studio Ghibli founder and Academy Award winning Hayao Miyazaki, The Castle of Cagliostro is a rousing caper starring comic book super-thief Lupin III, who’s out to steal the secret behind the world’s greatest counterfeiting ring, which lies deep in bowels of an impenetrable fortress on the island nation of Cagliostro.
The job gets complicated when he finds that the nation’s crooked regent, The Count, has kidnapped the royal family’s only remaining heir with the intent to marry her and solidify his claim to power. Never one to leave a girl in harm’s way, Lupin and his crew attempt to infiltrate the castle to save the girl, as well as cop a career-defining payday. All that stands in their way are trap doors, lasers, steel-reinforced ninja kill squads, and Lupin’s long-time rival, Interpol police officer Zenigata.
Loaded with wonderfully animated car-chases and shoot-outs, plus a slick 60’s motif, The Castle of Cagliostro is one of the most fun, romantic and exciting animated adventure movies ever put to film, an undersung gem in Miyazaki’s storied career.
Starring: Toshio Furukawa, Scott Weinger, Yuka Imoto
If the title sounds familiar, it is… but different. Metropolis (Metoroporisu) is an retro-futurist anime film loosely based on the 1949 manga, Metropolis, that was inspired by Fritz Lang’s 1927 classic silent film Metropolis. Got it? The film draws extensively from both sources, as well as from a century’s worth of science fiction classics, for a vision of the future that’s uniquely its own.
Taking place in a super-city teeming with humans and robots alike, the story follows a young boy out to find a mysterious robot girl. Out to find the secret behind her creation, trouble pops up for the pair when they uncover a dark secret that cuts to the core of the city’s ruling class.
A technical marvel, Metropolis was created by stars in the field: renowned anime director Rintario, Akira creater Katsuhiro Otomo (scriptwriter), plus powerhouse animation studios Madhouse studios and Tezuka Productions.
Starring: James Stewart, Kim Novak, Barbara Bel Geddes, Tom Helmore, Ellen Corby, Henry Jones
Dismissed when first released, later heralded as one of director Alfred Hitchcock’s finest films (and, according to Hitchcock, his most personal one), this adaptation of the French novel D’entre les morts weaves an intricate web of obsession and deceit. It opens as Scottie Ferguson (James Stewart) realizes he has vertigo, a condition resulting in a fear of heights, when a police officer is killed trying to rescue him from falling off a building. Scottie then retires from his position as a private investigator, only to be lured into another case by his old college friend, Gavin Elster (Tom Helmore).
Elster’s wife, Madeleine (Kim Novak), has been possessed by a spirit, and Elster wants Scottie to follow her. He hesitantly agrees, and thus begins the film’s wordless montage as Scottie follows the beautiful yet enigmatic Madeleine through 1950s San Francisco (accompanied by Bernard Herrmann’s hypnotic score). After saving her from suicide, Scottie begins to fall in love with her, and she appears to feel the same way. Here tragedy strikes, and each twist in the movie’s second half changes our preconceptions about the characters and events.
Starring: Steve Bannon, Nigel Farage, Jérôme Rivière, Giorgia Meloni, Filip Dewinter, Kent Ekeroth
Join us for a special preview screening of the recent Sundance Film Festival fly-on-the-wall documentary on Steve Bannon, The Brink, before it’s released in theaters. Director Alison Klayman and producer Marie Therese Guirgis will be here for a discussion following the feature.
When Steve Bannon left his position as White House chief strategist less than a week after the Charlottesville “Unite the Right” rally in August 2017, he was already a notorious figure in Trump’s inner circle, and for bringing a far-right ideology into the highest echelons of American politics. Unconstrained by an official post — though some say he still has a direct line to the White House — he became free to peddle influence as a perceived kingmaker, turning his controversial brand of nationalism into a global movement.
The Brink follows Bannon through the 2018 mid-term elections in the United States, shedding light on his efforts to mobilize and unify far-right parties in order to win seats in the May 2019 European Parliamentary elections. To maintain his power and influence, the former Goldman Sachs banker and media investor reinvents himself — as he has many times before — this time as the self-appointed leader of a global populist movement. A keen manipulator of the press and gifted self-promoter, Bannon continues to draw headlines and protests wherever he goes, feeding the powerful myth on which his survival relies.