Medieval nuns Alessandra, Fernanda, and Ginevra lead a simple life in their convent. Their days are spent chafing at monastic routine, spying on one another, and berating the estate’s day laborer. After a particularly vicious insult session drives the peasant away, Father Tommasso brings on new hired hand Massetto, a virile young servant forced into hiding by his angry lord. Introduced to the sisters as a deaf-mute to discourage temptation, Massetto struggles to maintain his cover as the repressed nunnery erupts in a whirlwind of pansexual horniness, substance abuse, and wicked revelry.

In the throes of a zombie apocalypse, Molly – a troubled woman from Las Vegas with a dark past – finds herself stranded in the desert with a lone ravenous zombie on her tail. At first, she’s easily able to outpace her undead pursuer, but things quickly become a nightmare when she realizes the zombie doesn’t need to ever stop and rest. Running low on supplies and beat down by the harsh environment, Molly will have to summon the strength she never knew she had to ultimately face both the zombie and the demons that have chased her all her life.

ALL THIS PANIC takes an intimate look at the interior lives of seven teenage girls as they come of age in New York City.

A potent mix of high art portraiture and vérité, All this Panic follow the girls as they navigate the ephemeral and fleeting transition between childhood and adulthood. Shot over a three-year period in a lush and cinematic style, all this panic is a meditation on the mysterious, often painful, yet ultimately exhilarating period of a teen’s life. In a world where, as one teen remarks ‘they want to see us, but they don’t want to hear us’ this film is comprised entirely of young women speaking to their own experiences.

Theresa, a haunted young woman spiraling in the wake of profound loss, is torn between her fractured emotional state and the reality-altering effects of a potent cannabinoid drug.

Starring: Jenny Slate, John Turturro, Edie Falco, Abby Quinn and Jay Duplass

Set in Manhattan in 1995, Landline follows three women in one family having lots of sex, drugs, and Japanese food. Navigating monogamy, honesty, and a long-lost New York, the Jacobs family lives in the last days when people still didn’t have cell phones and still did smoke inside. Teenage Ali discovers her dad’s affair, her older sister Dana uncovers her own wild side, and their mother Pat grapples with the truth that she can’t have it all, but her family still has each other. For a generation raised on divorce and wall-to-wall carpeting, LANDLINE is an honest comedy about what happens when sisters become friends and parents become humans.

With unfettered access, Director and Director of Photography David Byars gives a detailed, on-the-ground account of the 2016 standoff between protestors occupying Oregon’s Malheur National Wildlife Refuge and federal authorities. After the leaders of this occupation put out a call to arms via social media, the Malheur occupiers quickly bolstered their numbers with a stew of right-wing militia, protestors, and onlookers.

What began as a protest to condemn the sentencing of two ranchers quickly morphed into a catchall for those eager to register their militant antipathy toward the federal government. During the 41-day siege, the filmmakers were granted remarkable access to the inner workings of the insurrection as the occupiers went about the daily business of engaging in an armed occupation.

NO MAN’S LAND documents the occupation from inception to its dramatic demise and tells the story of those on the inside of this movement – the ideologues, the disenfranchised, and the dangerously quixotic, attempting to uncover what draws Americans to the edge of revolution.

Constructed entirely through 1980s network news and videotapes created by the Reagan administration itself, Velez and Pettengill’s prescient documentary presents Ronald Reagan as the first made-for-TV president—a man whose experience as a performer and public relations expert made him a unique match for an emerging modern political landscape, and for his chief rival: charismatic Soviet leader Mikhail Gorbachev.

As the new millennium began, one news story captured the attention and hearts of nearly every American. On Thanksgiving 1999, a young Cuban boy named Elián González was found floating in the Florida Straits by himself after his mother drowned trying to seek refuge in the United States. Before long, the 5-year-old González became the centerpiece of an intense custody battle between his father back in Cuba and his relatives in Miami, which, in turn, brought attention to the long-brewing tensions between Fidel Castro’s Cuba and the U.S. Throughout the news coverage, though, one voice was too young to join the heated international conversation: that of Elián himself. Eighteen years later, in the wake of Fidel Castro’s monumental death last November, ELIÁN lets the now 23-year-old tell his story, along with the other key players, of one of the biggest news events in modern times.

Executive produced by Alex Gibney, Tim Golden and Ross McDonnell use Elián’s intimate details as the jumping-off point for a powerfully relevant historical account.

Who killed Marsha P. Johnson? When the beloved, self-described “street queen” of NY’s Christopher Street was found floating in the Hudson River in 1992, the NYPD called her death a suicide. Protests erupted but the police remained impassive and refused to investigate. Now, twenty-five years on, Academy Award® nominated director and journalist David France (How to Survive a Plague) examines Marsh’s death—and her extraordinary life—in his new film.

Marsha arrived in the Village in the 1960s where she teamed up with Sylvia Rivera when both claimed their identities as “Drag Queens,” to use the vernacular of the times. Together, the radical duo fought arrests, condemned police brutality, organized street kids, battled the intolerant majority within the gay community, and helped spearhead the Stonewall Riots.

In 1970 they formed the world’s first trans-rights organization, STAR (Street Transvestites Action Revolutionaries). Despite their many challenges over the years—bias, homelessness, illness—Marsha and Sylvia ignited a powerful and lasting civil rights movement for gender nonconforming people.

Now, a quarter century later, at a time of unprecedented visibility and escalating violence in the transgender community, a dynamic activist named Victoria Cruz has taken it upon herself to reexamine what happened at the end of Marsha’s Life. THE DEATH AND LIFE OF MARSHA P. JOHNSON follows as this champion pursues leads, mobilizes officials, and works to get to the bottom of Marsha’s death.

The psych-out nightmare feature directorial debut from Steve, the filmmaking alter-ego of Steve Ellison, better known as acclaimed musician Flying Lotus, KUSO takes those brave enough to tag along on a wild ride. Broadcasting through a makeshift network of discarded televisions, KUSO depicts the aftermath of Los Angeles’s worst earthquake nightmare. Viewers travel between screens and aftershocks into the twisted lives of the survived, experiencing a hallucination that feels like David Cronenberg meeting Ren & Stimpy.