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Fear in Focus: Spain

Presented by Arrow Video
Brooklyn Horror is proud to dedicate this year’s Fear in Focus sidebar to the amazing genre films of Spain. This special shorts program of new Spanish frights includes tales of merciless revenge, spine-chilling supernatural terrors and gut-wrenching body horror.

Be Right Back, dir. Lucas Paulino, Gabe Ibáñez; Apotemnofilia, dir. Jano Pita; Nap, dir. Javier Chavanel; The Visitor, dir. Tony Morales; Don’t Talk to Strangers, dir. Imanol Ortiz López; Voyager, dir. Pablo Pagán; Berta, dir. Lucía Forner Segarra

Psychonaut

Starring: Julia Batelaan, Fiona Dourif, Yasmin Blake, Lloydd Hamwijk

World Premiere

A futuristic healing machine capable of piercing into one’s dreams is Maxime’s only hope to save her dying girlfriend. Along with the help of the machine’s creator, her mother Samantha (played by a wonderful Fiona Dourif), Max must traverse into the dark recesses of her lover’s mind in order to locate the “essential memory” that could save her life. Indie sci-fi done right, Psychonaut boasts an eye-catching visual flair as it impressively oscillates between genres. -Joseph Hernandez

Generation Terror

Starring: Adam Wingard, James Wong, Rob & Sheri Moon Zombie, Neil Marshall, Joe Lynch, Xavier Gens, Srdjan Spasojevic

North American Premiere

The turn of the millennium was marked by distinct social upheaval that had a profound effect on the kinds of horror films being released. With diverse horror experts and filmmakers, Generation Terror takes a look at the late 90s through the 2000s and examines the mark it left on global horror film history. While many of these films were panned for their extreme violence, the documentary utilizes an analytical lens to show the value in these films. – Tori Potenza

Somnium

Starring: Chloe Levine, Will Peltz, Peter Vack, Clarissa Thibeaux, Grace Van Dien, Gillian White, with Draya Michele and Johnathon Schaech

NY Premiere

Gemma moves to LA, hoping to become an actress. She takes an overnight gig at a sleep clinic that promises to make their clients’ dreams come true. But the longer she spends there, the more it becomes clear that something sinister is going on. Somnium joins the growing movement of “Jungian” horror that taps into our unconscious mind and secrets and terrors it has waiting to be discovered. – Tori Potenza

Bone Lake

Starring: Alex Roe, Maddie Hasson, Marco Pigossi, Andra Nechita

New York Premiere

Diego and Sage plan a romantic weekend away to alleviate their domestic strife. When they find another couple has rented the same place as them they agree to share the space. As the couples spend more time together tensions mount and begins to seem that the other couple may have their own intentions for the weekend. From the director of A Spoonful of Sugar, Bone Lake will constantly have you wondering what kind of film you are watching. – Tori Potenza

Exorcismo

New York Premiere

After the death of General Franco in 1975, Spain experienced a cultural shift that rippled through their film industry. Stripped of the conservative chains and sexual repression of the Franco dictatorship, Spanish filmmakers were finally allowed to put their wildest erotic thoughts on screen and this especially found its way into the horror and genre cinema of the time. EXORCISMO dives into these influential years dubbed the Transition era that gave birth to one of the most inspired film movements in all of genre cinema. Narrated by Iggy Pop. -Joseph Hernandez

Gazer

Starring: Ariella Mastroianni

NYC Premiere

Suffering from dyschronometria, which affects her ability to no how much time has passed, Frankie is struggling to keep the job needed to provide for her daughter. When an opportunity to make a lot of money, albeit illegally, presents itself, Frankie can’t say no, but accepting the job leads to a downward spiral of psychological destruction, crime and death. A knockout example of DIY filmmaking at its best, New Jersey native Ryan J. Sloan’s Cannes selection cleverly and uniquely taps into the unease of 1970s paranoid thrillers with bursts of early Cronenberg body horror. -Matt Barone

The Dead Thing

Starring: Blu Hunt, Ben Smith-Petersen, Katherine Hughes

US Premiere

Alex (Blu Hunt, The New Mutants) is ready to give up on finding love, due to an endless string of meaningless sex, when she hooks up with the charming Kyle. The next morning, though, he’s gone. As she tries to reconnect with him, Alex discovers that Kyle isn’t like other guys-he’s something much more dangerous. With this directorial debut, podcast all-star Elric Kane (co-host of Pure Cinema and FANGORIA’s All the Colors of the Dark) envelops a haunting story of loneliness and yearning within an air of ethereal unease and supernatural mystery. -Matt Barone

Miskatonic Institute of Horror Studies

As any vampire scholar, and most vampire fans, will tell you, the figure of the vampire is inherently queer. John Polidori based Lord Ruthven (“The Vampyre,” 1818) on the indiscriminately licentious Lord Byron; J. Sheridan Le Fanu’s Carmilla (“Carmilla,” 1872) still dominates the lesbian vampire genre; and Bram Stoker’s Dracula (Dracula, 1897) tells his three brides that Jonathan Harker “is mine.” Their non-normative reproduction, the pleasure that they take in penetration and feasting, their seduction of victims into voluntary acquiescence, and their capes and ruffles and air of languid dissipation…vampires are queer. But so what?

This lecture will first establish cinematic vampires as almost universally queer-coded and explore the significance of this specific intersection of monstrosity and sexuality. The talk will then explore the alignment of vampire cinema with the queer liberation movement of the 1960s-70s, covering films such as Hammer’s Karnstein trilogy (The Vampire Lovers [1970], Lust for a Vampire [1971], and Twins of Evil [1971]) and its much gayer spiritual relatives including Daughters of Darkness (1971), The Blood Spattered Bride (1972), and Vampyres (1974), as well as recent titles like Bit (2019), Thirst (2020), and So Vam (2021).

Through the work of queer theorists including Lee Edelman, Jack Halberstam, and José Esteban Muñoz the lecture will explore the ways that vampires can contribute to discourses around queer identity, modes of being, and futurity.

Grafted

North American Premiere

Still reeling from her scientist father’s death years earlier, college student Wei is determined to finish his work with facial disfigurement and skin disease. Her efforts coincide with also trying to assimilate into her popular cousin’s Mean-Girls-esque group of friends. How all of that dovetails together in Kiwi filmmaker Sasha Rainbow’s playful and vibrant debut brings a new dimension to the body horror film canon in her wildly entertaining and gruesome first feature. -Matt Barone