Starring: Nicholas Galitzine, Jared Leto, Camila Mendes, Idris Elba, Morena Baccarin, Alison Brie, Kristen Wiig, Charlotte Riley, James Purefoy

After being separated for 15 years, the Sword of Power leads Prince Adam (Nicholas Galitzine) back to Eternia where he discovers his home shattered under the fiendish rule of Skeletor (Jared Leto). To save his family and his world, Adam must join forces with his closest allies, Teela (Camila Mendes) and Duncan/Man-At-Arms (Idris Elba), and embrace his true destiny as He-Man — the most powerful man in the universe.

Starring: Emily Blunt, Josh O’Connor, Eve Hewson, Colman Domingo, Wyatt Russell, Colin Firth

If you found out we weren’t alone, if someone showed you, proved it to you, would that frighten you? This summer, the truth belongs to seven billion people. We are coming close to… Disclosure Day.

Starring: Michael Johnston, Inde Navarrette, Cooper Tomlinson, Megan Lawless, Andy Richter

After breaking the mysterious “One Wish Willow” to win his crush’s heart, a hopeless romantic finds himself getting exactly what he asked for but soon discovers that some desires come at a dark, sinister price.

Starring: Alia Shawkat, Callum Turner, Chloë Sevigny, Tim Heidecker, Jane Levy

The FOFIF presents 2025 Sundance U.S. Grand Jury Prize Winning Atropia for our special Women’s Month screening. To make an additional $10 donation to The Future of Film is Female (a non-profit org), select the “Event + Donation” ticket on the checkout screen

When an aspiring actress in a military role-playing facility falls in love with a soldier cast as an insurgent, their unsimulated emotions threaten to derail the performance.

Welcome to Atropia: an invented city constructed to exercise Western imaginations and soldiers. Mostly home to war games rendered in dazzling 4D (smells included), Atropia is just close enough to Los Angeles to double as a film set — and just far enough away that the performers who live on-site to bring the bustling faux-Iraqi streets to life are not exactly flourishing in their acting careers. This mirage of a place is a bizarre, liminal construction of writer-director Hailey Gates, whose incisive satire and clever wit are on full display. Co-stars Alia Shawkat and Callum Turner are joined by Chloë Sevigny, Tim Heidecker, and more in this completely original, surprisingly romantic, and sharply amusing directorial debut.—Ash Hoyle

Non Films x Nitehawk Cinemas present DarkRoom Screen & Salon

DarkRoom Screening & Salon returns once again to Nitehawk Prospect Park! Join us for a secret monthly mixtape of short films from across the globe, including some NY premieres. Q&As with visiting filmmakers, free zines, and a salon to follow in the Trees Lounge Bar. ONE NIGHT ONLY.

Featuring films by:
Ali Alizadeh
Kate diRienzi
Winston Hacking
Reuben Hamlyn
Emily May Jampel
Matt McKenzie
Wendy Cong Zhao

Produced and curated by Non Films. Artwork by Elizabeth Yoo.
Subscribe to Non Films’ Newsletter for additional info. Non Films is a handmade DIY studio in NYC.

Starring: Gösta Ekman, Emil Jannings, Camilla Horn, Wilhelm Dieterle, Frida Richard, Yvette Guilbert

In celebration of the film’s 100th anniversary, Brooklyn Horror Film Festival and The Flushing Remonstrance present F.W. Murnau’s Faust with live accompaniment.

Murnau’s colossal adaptation of Johann Wolfgang von Goethe’s tragic play ranks alongside Fritz Lang’s Metropolis as the greatest achievement of the German silent cinema. Gösta Ekman stars as the titular alchemist who, struggling with his faith amid a devastating plague, is offered the power to cure and the gift of youth…in exchange for his soul.  As the diabolical Mephisto, Emil Jannings (The Last Laugh) delivers a performance of operatic scale and intensity, by turns charming, comical, and horrific.

“A great fresco painted with lights and shadows… Never before or since was there such an exultant flight of the cinema spirit.” – Herman G. Weinberg, Cinemages

The Flushing Remonstrance, NYC’s premier group devoted to live film accompaniment, bring Faust to life with their all-new live score.

Starring: John Travolta, Hugh Jackman, Halle Berry, Don Cheadle, Sam Shepard, Vinnie Jones

Swordfish is a collision of rock-dumb early 2000’s action aesthetics with this new thing called “the internet” (ever heard of it?). A menacing John Travolta pressures good-hearted hacker Hugh Jackman into helping him heist 10 billion for the government – but is that all he wants?

You haven’t lived until you’ve seen Jackman’s version of hacking, which involves a surprising amount of dancing and red wine. Meanwhile, Travolta takes his first steps into “shaved head cackling villainy” (his main late-career mode) and Halle Berry gets a rumored extra $500k for cinema’s most gratuitous topless scene. Directed by Dominic Sena who went from Janet Jackson music videos to Gone in 60 Seconds to this, and written by the man responsible for both the worst Die Hard movie AND the worst Wolverine movie, Swordfish may not earn your respect, but it’s a lot of goofy fun.

Starring: James Stewart, John Wayne, Vera Miles, Lee Marvin, Edmond O’Brien, Andy Devine

Questions arise when Senator Stoddard (James Stewart) attends the funeral of a local man named Tom Doniphon (John Wayne) in a small Western town. Flashing back, we learn Doniphon saved Stoddard, then a lawyer, when he was roughed up by a crew of outlaws terrorizing the town, led by Liberty Valance (Lee Marvin). As the territory’s safety hung in the balance, Doniphon and Stoddard, two of the only people standing up to him, proved to be very important, but different, foes to Valance.

Starring: Clara Couturet, Ziad Jallad, Rifaat Tarabay, Darina Al Joundi

To make an additional $10 donation to The Sameer Project, select the “Event + Donation” ticket on the checkout screen.

Beirut, Lebanon, nowadays. Ahmed, a Syrian refugee, and Mehdia, an Ethiopian migrant domestic worker, are living an impossible love. While Mehdia tries to free herself from her employers, Ahmed struggles to survive dealing in second-hand metal scraps, affected by a mysterious disease. The two lovers have no future, but they have nothing to lose. One day, they take their chance and flee Beirut in a hopeful and desperate attempt to get away while Ahmed’s physical condition gets worse, turning slowly his body into metal.

As the first elected councilwoman of her Iranian village, Sara Shahverdi aims to break long-held patriarchal traditions by training teenage girls to ride motorcycles and stopping child marriages. When accusations arise questioning Sara’s intentions to empower the girls, her identity is put in turmoil.